The Awesome Right Honorable Squier by Fender Jazzmaster Vintage Modified Special Review!

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Squier Vintage Modified Jazzmaster Special Offset Body Goodness Electric Guitar Review
Over the years, I’ve enjoyed the basic quality and variety of the Fender Squier brand’s offerings. They’re generally well made, generally sound great for the cash, and are always coming up with something interesting.
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The Vintage Modified Squier series has a breathtakingly broad set of guitars and basses that are actually lots of fun to play and VERY affordable for beginners and pros alike. I love my Fender USA instruments more than I can say: and I really enjoy kicking back with my Asian-made Squier instruments, too.

The subject of this review, the Squier Vintage Modified Jazzmaster Special, is a superb instrument with surprisingly big sound and nice build qualities. I found it to be a real bargain; and it is truly well worth the money, and more.

Quick Opinion:
Honestly, when I unboxed my brand new Squier Jazzmaster Special, I was really very pleased with the feel, the sound, and the quality. For the price, you get a real bluesy and rockin’ guitar with Seymour Duncan-designed Jazzmaster single coils and a nice easy-to-play neck. I didn’t find much, if anything, that I didn’t like right from the beginning.
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It’s a blast to play, a scream to play the blues or rock through a big ol’ tube amp, and a joy on the shoulder. Overall, I like it!

Buy it! You’ll be glad you did!
There are customer reviews and more specs for the Squier Vintage Modified Jazzmaster offset body guitar with Rosewood fretboard available here at zZounds.

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Features:
The Fender Squier Vintage Modified Jazzmaster Special is an excellent blend of simplicity and features:
* Alder body
* Polyester smooth gloss finish
* Jazzmaster shaped body
* Polyester-finished C-shape maple neck and fretboard
* 25.5″ scale length
* 9.5″ fingerboard radius
* 21 medium-jumbo (I think) frets
* 1.65″ nut width
* Three-way pickup selector toggle switch:
** Neck
** Neck and Bridge
** Bridge
* Stacked concentric volume/tone knobs, one for each pickup
* Duncan Designed JM-101B Jazzmaster AlNiCo V bridge pickup
* Duncan Designed JM-101N Jazzmaster AlNiCo V neck pickup
* Top-loaded fixed non-trem bridge with saddle adjustments
* Vintage style tuning machines

This guitar (as of this writing) comes in two colors: butterscotch goodness like an old 50s or 40s Tele, and that tried-and-true brown sunburst – both with a maple neck/maple fretboard.

I am not only an affiliate of zZounds, I’m a major fan and customer. I really like their zZounds Guarantee “30 days to try out your dream guitar.”
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Playability
The Fender Squier Vintage Modified Jazzmaster Special is an easy-to-play instrument. For beginners, it feels like a stop-tail Stratocaster in many ways, from the feel of the neck to the way the body smoothly cradles the picking arm and the ribcage. Its offset design is reminiscent of a Firebird and a Stratocaster combined – but with out the edginess feeling of a Firebird. Overall, the guitar is easy to play, and is a pleasure to hold.

I find my Jazzmaster to be fairly well balanced, with a tiny bit of weight bias to the body. Interestingly enough, this guitar is like a blender guitar:
Take one blender and add:
* The switch location and feel of a Les Paul
* The offset-ness of a Firebird sort of married to a Stratocaster
* The general neck feel and look of a Stratocaster
* A fixed bridge that feels something like nowhere else
* The tuners of a Vintage Strat or Tele
* The control knobs of an old Fender bass
* And the jack of a Stratocaster

Mix thoroughly, put in a dash of Jazzmaster pickups, and you’ve got this unique and very satisfying Jazzmaster Special.
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This particular Jazzmaster lacks the array of fiddly switches found on its more expensive cousins. Although the lack of these switches does limit the sound shaping of this Jazzmaster Special, it does make it simpler and easier for the beginner or everyday player. Besides, it is a “special” after all.
I am not only an affiliate of zZounds, I’m a major fan and customer. I really like their zZounds Guarantee “30 days to try out your dream guitar.”

Sound
Sound is a VERY strong suit for the Fender Squier Vintage Modified Jazzmaster Special. The Asian-made Duncan Designed pickups really do sound awesome. They aren’t quite par with Fender USA Jazzmasters or Seymour Duncan USA Jazzmasters, but they are darn good. At this price range (Less than $299 US, street), one wouldn’t expect pickups to be hugely wonderful – and yet they are.

I like the sound of my Jazzmaster. The simple front-to-back three-way toggle switch feels and sounds solid, the volume controls are smooth and do an OK job (as with most guitars in this price range, the volume drops off with a huge curve with very little turning of the knob – the pots are “you get what you pay for” in this price range). Tone knob wise, these guitars have that old vintage-y clickety concentric tone thing going on. You spin the tone ring (the black ring under the chrome dome volume knob) and it clicks audibly and forcefully as you turn the tone up and down.

If you were to close your eyes and hear this guitar played by a great guitar player through a great tube amp, you’d have a serious amount of trouble telling that this is a sub-$300US guitar. It sounds great for its price range – and even for above its price range.
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When compared to a US-made Jazzmaster, there is actually a real tone difference, to be sure. The US model sounds like heaven – and the Squier is standing in line at the pearly gates on its way there.
There is a whole range of Fender Squier Vintage Modified guitars and basses at zZounds.

Fit and Finish
Other than the crazy-to-remove plastic pickguard plastic covering, my Jazzmaster is absolutely superbly made – more so than many MUCH more expensive guitars made by so many other brands.
* The neck sits in the pocket quite nicely.
* The finish on the neck is great. I can easily like gloss or satin necks: and this gloss neck feels like old school stuff right off the bat.
* The pickups sound fantastic and are just fine like they are. Although some would still take them out and replace them, I’ve found them to have a great sound that kicks very consistently.
* The paint finish is very nice. The sunburst-ing is nicely done, the coloring is good, and the finish is nice and even.
* I think the soldering is reasonable for this price range instrument. The components are as expected for an Asian-made guitar, and attention to detail for soldering, placement, and wire lengths are just fine: again, far better than many guitars costing a great deal more. Fender understands this part really well and does a great job of it!
* I am a major fan of the Vintage style tuners used on many Fender and Squier necks. The tuners used on my Squier Jazzmaster are similar to, if not identical to, those on my Jimmie Vaughan Strat – they’re smooth and easy.
* The nut is nicely cut and the strings are in good shape.
* I think a little bit more time could have been spent on string height and intonation at the bridge: it wasn’t grossly set up, but it could have been just a little better – such that our beginner guitar friends would get much more playing enjoyment out of the box.

The newest Squier 2014 models are now in stock at zZounds!

Wishes and Wants
As odd as this might seem for me to complain or remark, it was nearly impossible to get all the pickguard protective plastic removed. The material under the bridge and between the bridge and the bridge pickup is still there in little noisy crinkly shards. When I play the guitar I can hear and feel the little bits of plastic all under where the bridge and bridge pickup are. It makes me cringe to hear crackling while I’m playing, so I’m likely going to remove the strings, pop off the bridge, and maybe even pop up the pickguard just to get rid of the rest of the stuff… I’m very appreciative of getting to be the first person to scratch up (what my British friends would call) the scratchplate… But gosh – this is a real pain.

I like the “coolness” of the clickety tone rings on my Squier Vintage Modified Jazzmaster Special, but it really gets irritating after a while. I’m not a purist, so I would not have missed the clickies at all if Fender had put in smooth-dialing concentric pots ;-).

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The mighty Fender Blacktop Telecaster Baritone Review! Get down low without breaking the bank!

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The Fender Blacktop Telecaster Baritone Review! An affordable giant down low!

I love this guitar. I am so glad I bought one! Read on.

I’ve been playing lots of very distinct sounds and ideas in the past couple of years. It’s great that I’ve been able to use such a diverse array of instruments from guitars to basses to keyboards and even some folk instruments and meditation instruments…

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The Fender Blacktop Tele Baritone in all its glory

But sometimes you just need something that adds more richness to recordings. It’s well enough to use guitars and basses – but what about something that layers sounds in between? Here’s where 8- and 7-string guitars come in, and my favorite mid-voice: the Baritone.

The baritone guitar is an interesting animal. You get the neck feel of a 6 string guitar – just longer. It doesn’t have the width of a 7-, 8-, or even 9-string guitar’s neck. It feels right at home to the traditional 6-string guitar player – just a little further to the left (or right, for my left-handed friends). I personally love just about any of the extended-range guitars including the old Fender Bass VI – very nice. But sometimes, you just wanna get low without having to deal with a different feel.

Baritones are generally like a thin-necked 7-string minus the high e. It’s important to note that the interpretation of “Baritone guitar” has many permutations. Some feel that 7-strings (and more) are baritones. Some feel that it has to be a 6-string guitar with a longer scale. Yet others feel that putting telephone wires (humor me here… laughter is great) on a standard 6 and just tuning the guitar down a bunch. My definition is really more simple: a long-scale 6-string tuned the next “string” lower – generally starting on a low B below the “standard” low E of a traditional 6. I’ve played Baritones from LTD/ESP to Fender to Epiphone to Gibson and Agile. I’ve liked them all.

Fender is no stranger to the Baritone business, with adaptations of the Bass VI, the Jazzmaster Baritone, and even the wonderful Jaguar limited edition HH Baritone guitar all being great guitars that give Fender some wonderful credibility for making a long scale low-tuned beast.

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HSS with a crunchy humbucker and two Tele pickups. Nice!

Back to the subject: This review is about a new Blacktop Fender Telecaster in long scale Baritone tuning. WOW. Love it. Read on… I’m keeping mine for a good long while.

Please visit zZounds and get more information as well as pricing info about the awesome Fender Blacktop Telecaster Baritone – click here! (visiting my sponsor helps me fund more reviews! (And G.A.S., of course! :-))

Quick Opinion: The Fender Blacktop Telecaster Baritone is a winner.
Simple and easy-to-play design? Telecaster with a long neck: check!
Diverse sound pallette – more so than the standard HH config? HSS with Tele neck pickups in mid and neck with the humbucker being hot rock: check!
Nice long scale with a great neck: Telecaster at 27″ 9.5″ fretboard radius, medium-jumbo frets, maple neck (the back of the neck, anyway) with a nice finish: check!

This grandaddy-long-legs Telecaster is a scream to play and really sounds great. There are a few things about it that I wish were different – but overall, these guitars are a major buy… well-priced, nicely executed, fairly high quality, and sounds like it’s a nice chunky rock and roll machine! This Fender Baritone is easy to play – just like a Tele should. It’s fun, interesting, and feels good in the hands.

How low can you go!? If you play metal and need something metal-y, I like the Fender Baritone Telecaster – it has a lot of spunk. Of course, for metal, you could always paint it flat black and use bright orange duct tape to attach a pointed cap on the end of the headstock to make it monstrous :-). Have fun, play guitar!

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Really nice: Blends of gloss, buffed natural, and metal. Nice!

Playability: The Fender Blacktop Telecaster Baritone plays like a dream when it comes to playing baritone guitars. The neck is easy, the body is familiar and simple, and the strings aren’t massively bigger (but enough that you know it). It’s oddly satisfying to handle that big long neck with the thicker strings. It’s chunky yet very comfortable feeling. The overall guitar somehow seems to feel “more substantial” when you are playing it. In some ways, the neck-to-body balance seems to be just right. If you’ve felt comfortable with a Tele before, this guitar is not a big stretch to which to make the leap.

I guess I had one issue with the playability of my Blacktop Baritone Tele: tuning. The Ping tuners work fine, smooth, and consistently. But their tuning ratio is too close/low to be useful on a thick-stringed baritone. When you’re trying to get the Tele Bari in tune enough to play with others or to record, you spend a LONG time hair-touching the tuner buttons trying to get them into tune. Not a picky thing here: a real issue. If you tweak the button just a little bit, it can go almost a quarter-tone out of tune on the low B and low E strings. Solution? Either use a tuning crank (and some care) to slowly adjust the button, or put in tuners that are 16:1 or better 18:1 (I could be wrong, but I believe that the current tuners feel like 14:1). I did the tuning crank for about a week. I got frustrated spending too much time tuning and re-tuning (the Pings didn’t hold tune once set) – and bought a set of locking 18:1 in-line mini Grovers. Tuning baritones is still a challenge, but these tuners cut my tuning times into half. I have nothing against Pings – but I just wish they had a larger/wider ratio on any of my Ping-tuned Fenders.

Sound: The sound of the Fender Telecaster Blacktop Baritone is substantial. It’s rock-oriented and can handle country and alt styles as well. The stock pickups (like the Gibson Les Paul Studio Baritone) aren’t generally well-suited for super-clean styles like New Age and Jazz. You can use the neck pickup in combination with the middle pickup to get a nice noise-canceled Tele sound – just remember that it is a Tele – it’s not rich and broad like a humbucker with AlNiCo magnets… I have gotten some nice single-coily cleans with my Fender Tele Baritone – albeit that the tones can get a little snappy… snappy is not always a bad thing!

A short note: I’ve discovered that my Telecaster Baritone sounds best through a bass amp or a guitar amp coupled to a/some cab(s) with 15″ speaker(s). I’ve played my blacktop through Crate, Peavey, Marshall, and Bugera guitar tube amps and cabs – without a doubt: the Tele Baritone sounded great through my bass amp; it sounded woofy and too muddy through a guitar amp with 12″ speakers. For more, read on to the “sound” section of this review.

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There are many components to sound quality in an instrument. Like many of my more recent reviews, the sound section deserves a little extra detail. In this case, I’ll write about:
1) Pickups/electronics
2) Tone woods, body, neck, bridge
3) The Telecaster body as a choice of shapes

Pickups and Electronics: For this review, there is a bit of a mashup of “sound”, “quality”, and “value” wih respect to the pickups and electronics in the Blacktop line of Fender guitars, including the Fender Blacktop Telecaster Baritone.

From the ear’s point of view, the Blacktop Telecaster Baritone sounds like a rock-and-roll favorite for the future. Guitar players will look for these in decades to come, particularly if Fender doesn’t continue to make them year after year. This guitar rocks. It knows how to grumble and growl, it can scream and yell, it can blanket you with a wall of sound through a tube amp with some big speakers. I’ve found that this guitar’s electronics work MUCH better through a bass amp or a big-wattage head through a cab with several 10″ speakers or a 15″ speaker. No doubt, my little 2×10 Behringer 450-watt garage amp smacked out the Baritone tone like a champ! My Marshall sounded good with it, but only through the Behringer’s speakers – and not my Peavey 4×12. Keep this in mind: The Fender Blacktop Telecaster Baritone does exactly just the right stuff… we just have to think about how we play baritone guitars in general – my comments are about my experience – not shortcomings of a particular guitar or amp…

The pickups have a huge strength and two weaknesses. The pickups are economically-made, and they are muddy in many amplification settings. They do gain definition with the right amp and even with DI computer input or something like a Line 6 TonePort. The strength? They sound GREAT when you put them in the right place.

The electronics are a surprise. Gone are the everyday solid CTS (or similar) high-quality pots, the burgundy chicklet capacitor, and the time-proven mechanical blade switch (like a CRL or an Oak). Now? The really, really cheap bargain-bin pots, an unknown quality cap, and the super-cheap circuit board flat ultra econo-switch. I’m not thwacking Fender for doing this: the Blacktops are cheaper than Fender Standards when it comes to street price – but grrrr: They could be STANDARD Fender stuff without killing profit. I think these guitars sound pretty good overall, but I was truly saddened when I popped open the control cavity and pickguard. Fender could have done better. Sad face. I popped in a Fender OEM volume pot, a nice push-pull 250kOhm tone pot (for 7-way switching), a Fender OEM tone cap, and a real Fender OEM mechanical blade 5-way pickup selector switch. It sounds AWESOME now – and I’m lovin’ my Fender Baritone being a Fender.

The Factory electronics of a Fender Blacktop Baritone Telecaster

The Factory electronics of a Fender Blacktop Baritone Telecaster

I do like the simplicity of the wiring as it comes from the factory, though:
Positions, starting from the bridge:
1) Bridge only, full humbucker
2) Bridge and middle, birdge still in full humbucker mode
3) Middle only as a single coil
4) Middle and neck in humbucking mode (quacky, but warm – LOVE me some Tele!)
5) Neck only as a single coil

Tone woods: The tone woods of this Telecaster are on par with the Fender Standard Telecaster. I am pleased with the overall sound, resonance, and weight of the guitar. You can count on it for consistency in manufacturing detail, and it sings nicely when you play.

Why Telecaster?: Why not? Baritones work well with most standard guitar shapes and configurations. The Tele Baritone sounds good because of many things, not the least of which is because of its slab-o-genius body. I like it. It sounds nice, especially with the swimming-pool-esque rout under the pickguard: the Telecaster lends itself to a certain sustaining resonance. That’s one of the MANY reasons why I love having them around.

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Quality: My Fender Telecaster Blacktop Baritone is extremely well made. It came out of the factory box without a single flaw or problem at first, and I was extremely pleased to wipe it down, tune it up, and start playing. I do think the bridge could have been seated a little bit further towards the lower bout tail – it would be easier to set the intonation.

I did have one problem after a week: The neck pickup stopped working. The PCB cheap switch was the problem. When I put in standard Fender stuff (including an OEM Standard switch), the neck pickup issue went away. I can now play all 5 positions with glee. Works great! (And, now that I have modified my Bari, the neck pickup is independent with a push-pull – that way I can get neck + bridge and neck + middle + bridge sounds, too.)

I had to set the intonation on the saddles – a step almost always necessary on production-line guitars (why is that, anyway? Can’t a factory person at least do the 12th fret harmonics setup?). No worries. Five of 6 saddles adjusted the intonation into place. The sixth ran out of room on the spring – I can’t get it any closer than 10 cents unless I clip the spring or change the saddle in some way. Overall? It does fine.

The fit and finish is flawless. it looks like people who really love guitars built it (and, I think they do). The feel of the finish on the neck and body are excellent, the fret ends were nice and simple – no jagged edges on frets. The fretboard is nice and smooth – none of that cheap rough stuff you see in economy guitars.

The Ping tuners (if they are indeed still made by Ping – they look like standard everyday Ping Fender two-pin tuners) are good tuners overall – but they don’t work well for this baritone (see the “playability” section of this review). The quality is excellent, though. I love the traditional old tiny simple thin string tree for the g and high b strings.

The neck pocket was sweetly dressed, and when I put on my trademark “F” Fender OEM neckplate, I found the fit to be paper-smooth and just the right tightness. I also found the neck shape to be something I love. It’s thicker than a regular standard or USA Tele neck, but not excessively so: the neck grinder did an excellent job at the factory.

Value: This guitar is a bargain. It is just about impossible to find a decent baritone 6-string in this price range, new from the box. With only two foibles (neither of which is a red x to me), this guitar performs and sounds and plays like many guitars in the $799 street price range. The Fender Blacktop Telecaster Baritone sells for (as of this writing) $549 street, and occasionally $500 on sale here and there on the internet.

I think the price makes this guitar extremely good in the price-for-value ratio. I would buy a new one again if I was in the market. As of this writing, there aren’t very many used ones in the used marketplace, so only time will tell if they do a good job of keeping reasonable value after purchase.

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The Amp knobs are a nice touch. A new classic cool - even in its first incarnation

Wishes: Fender: Please use real CRL-style switches, CTS/CGE-quality pots, and the good old burgundy chicklet cap. Also, please find a way to use tuners with a wider and bigger tuning ratio. It would be nice if the bridge were seated about a 1/4″ more back on the body for better intonation setting.

Oh: and Olympic white with a tinted maple neck/fretboard, please? Maybe for 2012/2013 model year? I would buy an Oly white with maple/maple in a heartbeat!