The SUPERBIRD! Epiphone Joe Bonamassa Firebird I “Treasure” First Review!

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The Epiphone Joe Bonamassa “Treasure” Firebird First Impressions Review!
Buy one if you can find one! You’ll be GLAD you did!

Update (9.8.2017): it looks like the new ones are all gone from the market now… You can look at other awesome Firebirds here at zZounds.com!

The Epiphone Joe Bonamassa Firebird I "Treasure" Body Front

The Epiphone Joe Bonamassa Firebird I “Treasure” Body Front

I am a big “z-shape” guitar player. I love my Strats, Teles, LPs, SGs, and Vs, but my heart has a special BRIGHT AND LOUD place for Explorers and Firebirds! (Well, and offset Fenders, too, folks 🙂 ) It’s no surprise to those who know me that I’m constantly looking for a different sound, a different feel, a different tonal diversity. The first place I look is with Explorers and Firebirds. This past 7 years, Firebirds tend to not get sold after a while, unlike so many of my other much-loved-but-sacrificed-to-recording-pursuit guitars. In other words, when I get my hands on a great Firebird, I KEEP it for a long time. I still have quite a few very different Firebirds.

If this review seems to be a great gush of wonder over this guitar, you’re reading it right. Only a few guitars or basses have made me this happy in the decades I’ve been making music. So, take a deep breath and read on. there’s SO much to say that I might have to write a second review down the road after I’ve had “Joe’s Treasure” for a good while.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Headstock Back

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Headstock Back

Quick Opinion:
My Epiphone Joe Bonamassa Treasure Firebird I is a keeper. It is extremely well made, it is super sonorous, and is a real pleasure with which to play or record or jam.

I’ve written a LOT of reviews. I have played and/or recorded with literally thousands of instruments over the past 4 1/2 decades (used to be a Band Director \m/ !) Once in a while I come across a guitar that makes me wish I could stand on a stage somewhere and show it to the world with great enthusiasm – even though I’m not currently an endorsed artist or an instrument-brand affiliate or dealer. I just get pumped when I find something awesome!

The Epiphone Joe Bonamassa Treasure Firebird I is just such a guitar. Let’s look at why I am so happy with mine that I might actually buy a second one such as the Polymist version. Let’s look at features, quality, sound and more…

JIm Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Heastock Front

JIm Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Headstock Front

As I said a bit before. If you want a simple and awesome Firebird I, you currently have to buy a vintage one or a multi-thousand-dollar Gibson Custom Shop Firebird I. I’d love one, but honestly it is pretty far out of my budget. Now? I’ve got a GREAT Firebird I guitar at a very small price!

Features:
Here’s the quick-and-dirty feature list (with notes from me about my particular EJBTFI).
* Neck Joint: Thru-Neck (not the faux neck through that were actually glued in on the old Epi Firebird VII guitars)
* Neck Material: Mahogany/Walnut; 9-piece laminated (I counted. Yep!)
* Body Wing Material: Mahogany (both my Treasure Firebird I’s wings are one piece of mahogany, no glue hogs)
* Body Shape: Reverse Firebird
* Neck Shape: 1960’s Rounded-C (this is a delightful neck! If you like Firebird necks, this is a little plumper, but easier to grip for bends! It’s delicious for those that love a gentle round shape on the back of the neck. Mine has no flat areas or flat spots.)
* Truss Rod: Adjustable; Dual-Action (You adjust it behind the truss rod cover.)
* Truss Rod Cover: 1-layer; Black; Epiphone logo in Gold
* Scale Length: 24.75″
* Fingerboard Material: Rosewood with Dot Inlays (My rosewood fingerboard is shiny and nicely polished or buffed. It feels heavenly like a nice Rickenbacker fingerboard, without the lacquer… NICE)
* Nut: Ivory PVC (yes, plastic)
* Headstock: Original Firebird beveled (This looks great – black and brown, on the sunburst. The Polymist is all one color except the truss rod cover.)
* Bridge Pickup: Epiphone ProBucker FB720 (WOWWOWWOWWOWWOW More on this later in the review.)
* Controls: Master Volume, Master Tone (two knobs, no switch of any kind)
* Knobs: Gold Top Hats with metal inserts and pointers (I generally like speed knobs, but these are easy to turn)
* Fingerboard Radius: 14″ (nice and curvy for those who run up and down the neck a lot)
* Pickguard (3-Layer); White/Black/White with Vintage Firebird logo (my logo feels painted on. My Gibson Firebirds tend to be hot-stamped with the Firebird Logo.)
* Frets: 22 medium-jumbo (Just right. easy to bend, easy to fret, NICELY polished on my Joe Treasure.)
* Bridge/Tailpiece: Adjustable Wrap-around Lightning Bar (Mine needed adjustment, but is better than my Gibson M2’s wrap-around… These let you adjust the whole bar back and forth at each end… Makes intonating easier.)
* Nut Width: 1-11/16″
* Hardware: Nickel (I like chrome too and gold, but my heart belongs to old-fashioned wear-showing nickel.)
* Output Jack: Epiphone Heavy-Duty 1/4″
* Machine Heads: Kluson Reissue Firebird/Banjo Tuners; 12:1 ratio (14.6:1 wind rate) (YES! This was a HUGE thing for me. I really LIKE Steinbergers, but LOVE the new renditions of the Kluson brand Banjo Tuners! I bought a couple of sets and back-graded a couple of my Steinberger-tuner Firebirds to have the big Klusons! Just like the Firebirds I got to play in the 70s.)
* Strap Buttons: These are big buttons to hold on to a strap very nicely. The upper strap button is on the back of the neck/body area instead of on the upper bout as some Epiphone Firebirds have had.)
* Includes: Hand-Signed Certificate of Authenticity, Custom Deluxe Gig bag with JB artwork (I LOVE the Joe Bonamassa gig bag Firebird logo!

JIm Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" FB720 Pickup Back

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” FB720 Pickup Back

I want to store my Treasure Firebird I with other guitars in hard cases, so I went ahead and bought an Epiphone case for it. (Opens a new window.))

I have the traditional brown sunburst finish on my Joe Bonamassa Treasure Firebird. As of this writing, all the major retailers are out of Treasure Firebirds… look at the other Firebirds currently available!

So the features are awesome compared to many $799 (Street) guitars. That said, I see LOTS of $799 guitars that not only don’t have gig bags, but they don’t have NICE gig bags and hand-signed certificates in them!

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Body Back

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Body Back

Let’s look at a few of my favorite features:
* I love the Kluson Banjo Tuners. These look like perfect reissues – and tune and feel JUST like my Gibson Firebird V’s tuners. These were a MAJOR selling point for me, as I like the way the feel, the way they look and the fact that they bring back awesome memories from my childhood when I got to play priceless Firebirds back in the 70s.
* The Neck-through construction. SOUNDS fantastic! It has sustain for days and feels ALIVE in your hands compared to my older glued-in Epiphone Firebird necks or Gibson Firebird Studio necks. It just feels like a zillion (yes, folks, that’s $1,000,000+googleplex of zeroes!) bucks! Honestly. The neck is one of the MAIN features of this guitar. Looks and sound aside.
* The quality is fabulous. I like nitrocellulose lacquer better than poly paint: that said, this finish feels fabulous. It’s nice and smooth and looks like a perfect job was done at the factory.
* The pickup is old-school wired. it has a braided two-conductor wire just like my old Gibson Firebirds. The wiring is super-simple, and there’s not a lot to get in the way of this very special FB720 pickup’s sound.
* The gig bag is really nice: It’s a real plus and I’m keeping mine as long as I own this Firebird.
* I’m impressed with the signed certificate. I can’t tell if it is signed with ink by the two folks on the card, but it looks quite real to me.
* One more feature that really tipped me over the edge: the headstock construction looks JUST LIKE my Gibson Firebird V.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Control Cavity Shot

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Control Cavity Shot

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Playability
This is the easiest-to-play Epiphone Firebird I’ve ever owned (I’ve owned LOTS). The neck is a nice balance between a Firebird 60s neck and an Explorer 70s neck. Just enough round, just thick enough, just slippery enough to make me forget about the neck (a VERY good thing). The weight is bit lighter than my neck-through Gibson Firebirds, and is actually a little better balanced than my Firebird V, Firebird 7, and Firebird VII. With the BIG headstock and the Klusons, it does lean towards the neck a bit: with that said, it IS a Firebird!

The way the pickup sits and the controls are located are just fine. I don’t end up picking on top of the pickup so much as I do with my Firebird VII and my Firebird 7. The volume control and tone are just where they are supposed to be, but require a big hand move to do a volume swell or adjustment. Bear in mind, though, that this is not different than old Firebird I guitars. So this isn’t a problem per-SE… I’m just indicating that it feels a bit far. However, since I’ve started using a Morley volume pedal, this isn’t much of a problem any more on my far-control guitars.

The tummy-cut is awesome and feels just like it is supposed to. The body rests nicely on me whether I am standing with a strap or sitting without a strap. The rest of the guitar feels just like a Firebird. If you close your eyes, it would be largely hard to tell it is not one of my Gibsons.

I love the fingerboard radius (14”) and the smooth and shiny genuine rosewood fingerboard. Overall, when I’m fretting or bending strings, the fingerboard feels non-existent (a good thing).

Overall, I’d say that it’s EXTREMELY hard to put down and stop playing. Playability? Superb.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Control Cavity Shot With Body

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Control Cavity Shot With Body

Sound
One of the strong points of the Epiphone Joe Bonamassa Treasure Firebird I is its sound. It sounds SUPERB. If you’d like to get an idea what it sounds like before you buy one, listen to Joe play one here (opens a new window). You can read more factory specs on the Epiphone JB Treasure page, too.

The single-pickup configuration, the simple controls and big potentiometers are awesome. The neck-through sustain and body’s sympathetic vibe are superb. I can’t say enough about this new pickup. I LOVE it! And paired with the body and neck-through, the sound just makes you giddy through a Fender amp, a VOX, a Marshall or even a small solid-state beginner’s amp.

Quality, Fit and Finish
I’ve owned a great many Epiphone guitars and basses over the years since Gibson bought Epi’s company and started making clones of the Gibson USA greats. When I first started recording, the only LPs, SGs, Explorers or Firebirds I could afford were used Epiphones.

That said, of all the Epiphones I have ever owned or played, my sunburst Joe Bonamassa Treasure Firebird I is the best-built, best-finished, and best overall Epiphone I have EVER owned or played. Bar none.

The paint finish is smooth and doesn’t have any smudges or spooges anywhere. The wood joints are perfect and the paint on the joints is nicely finished. The edge of the fingerboard is nicely clear-coated with the neck and the fingers don’t detect any line between the two. Like my non-bound Gibson Explorer fingerboards, the feel is completely smooth and easy.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" FB720 Pickup Front

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” FB720 Pickup Front

The soldering is quite well done, and there’s even a little slack in the capacitor’s wiring. If you want a professional to change the capacitor, it can be done very easily without actually damaging much of the potentiometer solder joints, if any. The jack is solid, and has a nice positive feel to it.

The tuners and hardware are nicely applied and are quite straight. The bridge is not adjusted like I would want, and the guitar came from the factory with some mild intonation problems: but these problems were easily resolved with the included allen wrench and a nice Peterson strobe tuner (you can buy one on your phone or desktop, too!). I really haven’t found too many guitars that come from the factory already intonated. I don’t know why this is so common, but there it is. My Firebird I wasn’t an exception. That’s pretty much the only issue I had.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Full Body Front Shot

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Full Body Front Shot

The sunburst paint is remarkably nicely done. On many Asian guitars, sunbursts tend to have a very “spray can hard edge” look to them. In my case, my Firebird I is very nicely faded from black to clear. Nice!

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" 9-ply Neck Detail

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” 9-ply Neck Detail

The 9-ply composition of the neck is extremely well done. The thicknesses of the woods is very consistent and very nicely paired. The look and grain of the mahogany is nice looking, if a little less dense than I’m used to on my Gibson USA guitars – but FAR better than most Asian-built mahogany guitars I’ve owned and/or played.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Neck-Thru Neck Joint

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Neck-Thru Neck Joint

Over all, Id say that the Quality is easily among the best Epiphone guitar I’ve ever had in my hands.

Take a look at all the wonderful Firebirds available on zZounds.com!

Wishes and Wants
Honestly, just a couple.
* Dear Epiphone, PLEASE make a Firebird V variant constructed JUST like this, but with four controls, a stop bar + TOM bridge, and two of these FB720 pickups. PLEASE!
* For all the wonderful components in this great guitar, the cap is a little disappointing.  Please consider an Orange Drop Sprague capacitor: the included film-based capacitor is OK, but ODs aren’t that much more in bulk… this would actually be a good selling feature.

Jim Pearson's Epiphone Joe Bonamassa Firebird I "Treasure" Control Knobs and Pointers

Jim Pearson’s Epiphone Joe Bonamassa Firebird I “Treasure” Control Knobs and Pointers

The New Gibson Firebird Zero S-Series Bargain Powerhouse Guitar Review

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The Gibson Firebird Zero S-Series: USA Goodness for an Import Price!
Perfect for Beginners, Seasoned Pros, and all the rest of us, too!
Perfect for us modders!

I like having different guitars to use for sound, playability, recording intonation, and even guitars that are expressly so I can experiment with different wiring, nut, string, bridge, and pickup combinations. My 2006 Fender American Deluxe Tele and my 2010 Gibson Les Paul Traditional are just like the day they were made: awesome, albeit with some wear now that it is years later. My 2012 Gibson Les Paul Special (Humbucker model) has been many things: it is currently factory control cavity with Seymour Duncan P-Rails mounted on Seymour Duncan Triple-Shot Miracle Trim Rings – and will be something else some day… I have Strats and Les Pauls and a few neck-through Asian guitars that are all subject to my latest sonic journeys…

I affectionately call them Mules. Somewhere in the sea of guitar cases in my life are Ash, Mahogany, Maple, Alder, and even Basswood Mules. The Force is Strong with this herd. Each of the 6 (most recent so far) albums I’ve released has a Mule or two on at least half the tracks.

What does this have to do with the awesome Gibson Firebird Zero? LOTS. It’s the perfect beginner’s humbucker guitar, the perfect quick-gig guitar, and a modder’s dream!

gibsonfirebirdzerobodyfrontshot2jimpearson

Buy one before they are gone. Go ahead.

I’ll wait while you get one or two, then come back here and read the rest.

I’l wait 🙂 Click here please, buy one, and help me keep this site up and running! Visit my awesome Sponsor, zZounds.com.

Quick Opinion:
The Gibson Firebird Zero is a set-neck design for added sustain and that “feels good” sound when you play it. The finish is a gloss type of finish: it’s not as slick and hard as the finish on a Gibson Les Paul Standard – but it is definitely a long way from satin. The tuners are surprisingly good. The pickups are far nicer than any of the base model humbuckers that come with pretty much every low-priced entry-level guitar on the market. It comes with a Gig Bag(!!) that fits it nicely and does a good job of protecting the instrument. And so much more! I’ll leave the rest of the details to the review below.

In short, the Gibson Firebird Zero is a jewel, an excellent guitar, a fun design, and priced at a point where nearly any guitarist can reach out into the galaxy of set-neck USA-made guitars!

Seriously, They come in a huge array of colors. Buy one.

gibsonfirebirdzerofrontlongshot1jimpearson

Features:
The new Gibson Firebird Zero electric guitar is huge on features, is made in America, and is the absolute pinnacle of well-made entry-level guitars. You would be hard-pressed to find a nicer and better-playing guitar in this price range with a gig bag, much less one made in the USA.
– Series: S Series
– Body Style: Firebird Zero – a new take on the non-reverse Firebird! Smaller in body than the traditional Firebird, and much lighter, too!
– Back: Solid poplar
– Neck: One-piece solid maple with satin nitro finish
– Neck profile: Slim taper (this is similar to the 60s neck shape on many SGs and Firebirds – but it feels narrower in some way. Each one I’ve played is typical Gibson: hand-hewn and a little different from guitar to guitar.
– Neck width: 1.695″ (Just a tiny bit more than the traditional Gibson 1 11/16” width…)
– Heel: Short heel design – the scoops into the neck pocket are shallower, and the typical Gibson glue-in set-neck bump is there. Very comfortable
– Fingerboard: One-piece solid rosewood – this is a nice feature for this price point
– Scale length: 24.75 – just as most Gibsons are…
– Number of frets: 22
– Nut: Tektoid – mine are nicely cut and required no work. Nice job on this one Gibson!
– Inlay: Acrylic dots
– Bridge: Adjustable wraparound – this guitar’s cost has a savings by not including the stop tail and its studs.
– Knobs: Black top hats – these are the traditional “student” Gibson knobs. They’re slippery to me, so I usually replace them with knurls or speed knobs.
– Tuners: Mini-buttons – these are a surprise hit! These are a cost savings over Grovers – and the ratio is actually really nice!
– Plating: Chrome
– Neck pickup: Made in USA double slugs DS-C Rhythm
– Bridge pickup: Made in USA double slugs DS-C Lead
– Controls: 1 volume, 1 tone, 1 toggle switch (the toggle is the traditional 3-way: neck-neck and bridge-bridge)
– Case: S Series padded gig bag

gibsonfirebirdzeroheadstockfrontshot1jimpearson
Read more details about the awesome Gibson Firebird Zero in the new S-Series Gibson Line Click here please, buy one, and help me keep this site up and running! Visit my awesome Sponsor, zZounds.com.

A couple of nice features to point out:
* The paint finish is lacquer, and has a nice smooth feel to it. It shines about halfway between satin and full-on shiny: it feels great and looks really nice. Mine is faded Pelham blue, and it glistens from a distance.
* The neck is a nice semi-satin. It doesn’t grab at the player’s skin when palms get sweaty: and it still feels much smoother than most maple necks on inexpensive guitars.
* The electronics are loosely based on the Gibson Quick Connect system. The pickups can be easily switched with others that have the five-pin Quick Connect fitting. A VERY easy upgrade if you ever want BurstBuckers, maybe some 57s, or something screamin’ like some Gibson Dirty Fingers humbuckers!
* All the non-pickup electronics are attached to the pickguard: to work with them, you don’t even have to pull the strings. The pickguard is completely unfettered when the guitar is strung.
* The controls are simple: one volume, one tone, and a three-way. The jack is front-panel, easy-to-use and will accept an L-connector guitar cable.
* The tuners! WOW. My first thought when I saw the pictures was “I’ll find some Klusons or Grovers and replace those: they look maybe too cheap.” I WAS WRONG. They’re high-ratio (maybe 18:1 or 19:1?), very smooth, and work really very well!
* It has a new unusual headstock shape. It’s like a Bat-Wing Epiphone shape merged with an Explorer shape, and a non-reverse Firebird shape… all together. I like it.
* I’ll say it again: it comes with a VERY nice gig bag.

gibsonfirebirdzerocontrolsdetailshot1jimpearson

If you’re thinking about hard shell cases (I did), it needs a wide-body electric guitar case that fits things like Jags, Jazzmasters, PRS S2 Velas, or similar. It doesn’t fit in a Gibson Reverse Firebird case or Non-reverse Firebird case (the form-fitting ones): the body shape isn’t the same.

This case looks to be about right. Honestly, I would ask the sales rep before I bought the case… There’s always a chance that the case dimensions change from year to year. I bought a generic one with almost the same dimensions… Click here please, buy one, and help me keep this site up and running! Visit my awesome Sponsor, zZounds.com.

Playability
The Gibson Firebird Zero is a breeze to play! When someone who’s never held a guitar asks me, “What’s a great first guitar?” I almost always answer, “Buy a Telecaster that’s in your price range. They’re simple, light(ish), and the play action on the strings are EASY.”. Now? I recommend the new player to buy a Gibson Firebird Zero if their budget permits! It’s not just a simple beginner’s guitar. It is a USA-Made guitar that can suit almost any Gibson-style playing need.

gibsonfirebirdzerobodyfrontshot2jimpearson

It’s light on the shoulder, it balances pretty well for a non-reverse “z” shape, the neck is effortless, and the controls are a breeze. The fit and finish on mine are just perfect for a $499-ish guitar. It tunes very easily, and needs very little re-tuning after you get things cranked up a time or two when it’s new. This is really a great guitar for the money.

gibsonfirebirdzerobacklongshot1jimpearson

I like the middle-gloss finish. I like it better than the recent Gibson “Vintage Gloss,” as it is smoother and shinier without being too expensive to make. It feels good when you’re playing the guitar. Honestly, for me, it is really important to have four pleasing factors with an instrument:
1) Sound
2) Feel of the instrument and its parts where contact is made with my body and hands
3) (Believe it or not) Aroma/scent
4) Looks – for example: I really am tired of flat black guitars and I can’t seem to get enough of wood-colored guitars 🙂

I love the picking-arm sloping surface shape. It reminds me mildly of the Fender arm-fits – just not quite as big.

They’ve just released a whole bunch of new colors for zZounds with the Gibson Firebird Zero! Click here please, buy one, and help me keep this site up and running! Visit my awesome Sponsor, zZounds.com.

gibsonfirebirdzerobodybackshot1jimpearson

Sound
I’ve played (literally) thousands of 2-humbucker electric guitars in my 5+ decade life. Some were $100 new, some were $7000 new. Lots in between. The sound of an electric guitar is partly subjective and partly objective. “How you play it and through what device(s) you play it really change things.”

For me, the best two measures are: Absolutely clean straight circuit with no effects and no pushing the pre-amp; and a good tube pre-amp running just hard enough to make the sound just a touch growly or fat-jazzy to really feel the body of the sound. Of course, other types of play are important, such as rock, jazz, metal, new age, pedals and such, but the first two of these are the most telling of all.

A good pickup is what you need it to be. Need that SRV sound? Scooped pickup EQ and overdrive is the best way to see if you like the pickups. Need that Tony Iommi sound? Good balance with very clean highs and crushing miss with balanced lows… Need that Dwayne Allman or Derek Trucks sound? Good balance on the three main EQs with emphasis on tight highs and very tight lows…

gibsonfirebirdzeropickupbridgedetailshot1jimpearson

Me? I like a balanced pickup with all three main EQs about equal. I want the pickup to clean up for jazzy or mellow passages, and I want it to have crystal clarity when I overdrive it or run it through several effects pedals. I also want the bass sounds to be very present and clean: no mud. Miss? I like them to be present in the harmonics and not scooped out or enhanced.

So, what about the new Gibson DS-C double-slugs in the Gibson Firebird Zero? Compared to really nice Gibson 57s or even Gibson Burstbucker Pro (Alnico V) pups, it’s not quite there. If you overdrive the sound, some clarity is lost… Picking lots of notes or even fanning a chord loses definition of the different frequencies when the pups are overdriven or distorted.

However: Compared to pretty much every bargain pickup on the market in sub-$500 guitars, these are awesome. They do clean up pretty well and can do good old heavy metal just fine. If you want to chug-a-lug some grinding country or throw down on some hard rock, they do a decent job. They’re head and shoulders above almost everything in their price/type class. I like them much better than the low-quality humbucker pups in pretty much every intro-level HH guitar I’ve owned or played.

gibsonfirebirdzeropickupbridgedetailshot2jimpearson

Besides, they are fun and easy to replace if you just want to get your Nickelback to clean up and sound sonorous :-).

Fit and Finish
My Gibson Firebird Zero came well-painted, nicely strung, and almost ready to go. I liked the new plastic fret protector that’s inserted between the frets and the strings for shipment – it’s a great and inexpensive way to prevent shipping crushes causing string indents. It’s nice enough to keep and put back every time you put your guitar in the gig bag or case.

My only issue with the way my Gibson Firebird Zero was shipped to me was that its wrap-around bridge wasn’t intonated. I”m not being picky. Most strings were more than 25 cents off, except for the lowest two strings. I had to use the pole-distance adjusters to push the bridge out as far as it would go before the saddle adjustments began to make a difference. For me, this was no big deal. For a beginner, this is a hard concept with which to deal. To be fair, though, almost every entry-level guitar I’ve played from Asia was as bad or worse, often with the fretboard too short – this Zero’s nut is a perfect distance.

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My favorite part of the Gibson Firebird Zero is the awesome body shape. Click here please, buy one, and help me keep this site up and running! Visit my awesome Sponsor, zZounds.com.

 

Wishes and Wants
Actually, I think there’s little to want or wish! This guitar is OUTSTANDING for the price point and made in America.

Perhaps the bridge should be adjusted better. It would feel better if the Firebird Zero had a belly/tummy cut on the back top of the body.

gibsonfirebirdzeroheadstockbackjimpearson