Tuesday, May 15, 2007

Gibson Faded SG Electric Guitar Review

Gibson USA Faded SG Review

Gibson has some awesome 6-string hard-body electric guitars. Les Paul, Explorer, Vee, Firebird, and SG. My favorite Gibson? Any Gibson.

The Gibson USA Faded SG reminds me of some of the SGs I played in the early 1970s (sans shiny finish, though). VERY lightweight, mahogany, thin neck, bright rockin’ humbuckers, tulip tuners, fixed bridge, and tons of vibe. Every time you pick it up, you don’t want to put it down. Gibson has brought these things back in a modern-day form.

Free Shipping and more information about the Gibson USA Faded SG at GuitarCenter.com

Quick Opinion: Like the Gibson Vintage Mahogany Les Paul, grab one. They’ll be gone and you will have missed a great instrument. This is the kind that will sell (30 years from now) on eBay for good bits of money because of the “vibe” and “mojo” of the lightweight, plain SG.

Playability: The experience of playing the faded Gibson SG is a treat. The body is very nicely balanced, very comfortable, and vibrant.
The neck gives a sense of ease – where some necks make you think about them as you play, the neck on the faded SG is effortless such that you forget about it entirely. For you thick-neck fans, this will be an adjustment – it is quite slender and thin. It feels good, and doesn’t have the roughness of many of Gibson’s “faded” guitars.
The body is comfortable, and makes itself comfortable up against your picking arm and your ribcage. The body is very light-weight, almost the lightest solid-body I’ve ever picked up. Incredibly, though, the balance of body to neck is just about 50/50.
I’ve found that the (fairly standard) setup of the bridge, stop-tail, and nut feel good, and are quite flexible. I’ve played one that was set up for slide – strings high, but still playable with fingers. I’ve played several others that were set up for easy action and quick fingering. In both cases, the guitar performed flawlessly with no buzzes or flat spots. (A few of the fret wires had fuzzy ends, but nothing that couldn’t be handled with some fret polishing paper and a little TLC.)

Features: The features of the Gibson faded SG are basic, simple, and uncomplicated. The instrument features a standard 4-knob control: neck pickup tone and volume plus bridge pickup tone and volume. This SG also has the three-way toggle pickup selector (neck, neck and bridge, bridge).
The finish is sort of a satin clear finish on brown or cherry-looking mahogany. Unlike the faded Les Pauls and faded double-cutaway Les Pauls I’ve played recently, the finish on the SG is still smooth, even though it is not gloss-polished. The faded SG feels like an old, comfortable, worn guitar friend.
This instrument is ideal for a double-humbucker split-coil plus phase modification. (Just remember! Keep all the original stuff untouched! The original stuff is pretty sweet. Future generations will appreciate an elderly instrument with its original bits.)
I like the original-style Kluson tulip/keystone green “Deluxe” tuners. They’re not the sturdiest tuners out there – but they feel like the old Gibsons I’ve played as a kid.

Sound: Simply put, this SG SINGS. When you strike a chord or pluck a low string, you can FEEL the sound. It feels like it was special tuned for its setup, strings, and woods. The set neck, unfettered mahogany, and stop-tail bridge give this guitar a VOICE.
It can be played overdriven, over-distorted, clean, reverb-y, warm and jazzy, and lots more. I’ve played several examples at my local guitar stores (I can’t purchase one at the moment – starving artist – so I researched my review with many months of “research playing” at my guitar stores) – and I’ve played them through Mesa, Peavey, Epiphone, Marshall, Fender, Crate, and others. Standing in front of a full Marshall stack (tube head), with everything on 5 and volume on about 4 – WOW – it makes every guitar player in the store salivate to hear the sound.
The Gibson USA 490R and 490T pickups are flexible and warm, but have more output than the vintage SGs around which I grew up. They’re bright without being harsh. They’re easy to push into breakup with a good amp, and they play clean/jazzy with abandon. They’re fabulous.

Value: These SGs are very much worth their street price, maybe more. They’ve been marked down from the $700 range to the $579 range in the past few months. At the new price, they are very much a bargain.
Bear in mind: these do not come with a hard case at this price. They ship with a Gibson gig bag. If you want to preserve your SG, the genuine Gibson SG case (about $129 street) is well worth every cent. If you can’t swing that, at least find a durable TKL or SKG case for it.
As I said with the Vintage Mahogany Les Paul, go to your favorite get-in-trouble guitar store and play an example or two. If you don’t have a git-box store nearby, check out your favorite online haunt and pick one up NOW.


Wishes: I only have two simple wishes: I wish they came with a Gibson hard-shell case (I personally think every Gibson deserves to live in a Gibson case). I also wish that the 490 pickups in this guitar came with German nickel humbucker covers. I’m spoiled by the looks of the old ‘70s SGs.

P.S. Gibson, if ever there was a Gibson sponsorship for "really great Bears who review guitars", this would definitely be one of the ones! wink wink wink nudge nudge

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Sunday, November 26, 2006

Gibson Les Paul Vintage Mahogany Review

Gibson USA Vintage Mahogany Les Paul

One of the guitars on my “to get” list is the Gibson USA Vintage Mahogany Les Paul (faded cherry). I've played several examples a great number of times over the past year or so… and although I could not purchase this one for myself (budget, budget, budget), I felt the need to express my view on this instrument. This instrument is a fundamental instrument that incorporates critical elements of a fabulous-sounding instrument. In its basic-ness, this particular Les Paul is all about sound delivery in a price-friendly Gibson package.

Tone folks will find the Les Paul Vintage Mahogany to be a monster… Folks whose budgets cannot achieve the heights of the Les Paul Standard, or even the Classic or Studio, will find this instrument to be a real bargain. Perhaps enough of a bargain to truly bring great Gibson-ness to many musicians’ sound libraries.

This is a fabulous instrument – stay tuned and I'll attempt to explain why it strikes me so well.




Quick Opinion: Grab one right now before they’re gone. Period. If I had the means, I would.

The wonderful Gibson Les Paul Vintage Mahogany is no longer in production :-(. But you can see more about the new Gibson LP Studios here at Guitarcenter.com Check out the new Raw Power LP and SG!

Playability: The Gibson Les Paul Vintage Mahogany is all Les Paul. It has the chunky 50's-style neck one expects from many Les Paul models. The neck is tapered in a subtle way, and the radius is extremely comfortable.

Another interesting aspect of the neck's playability is its consistency. It is even, smooth (if a little woody – like lots of natural-finish acoustic guitars, but not as wide), and very comfortable. As a person who truly likes the 60's neck profiles (and the slimmer Epiphone neck profiles), the Les Paul Vintage Mahogany was different at first. However, after playing several examples over several months at my local, favorite Guitar Center, I adjusted to it. I am now more comfortable going between my Epi Les Paul and the Gibson.

The body’s weight seems to be really well-balanced. It doesn't feel as weighty on the shoulder as a traditional Les Paul – but it still retains that singing, miles-of-sustain feel that makes Les Pauls so breathtakingly essential to many kinds of music. It plays like an old friend. It feels like an old friend, and is one of the most comfortable Gibson Les Pauls I’ve had the pleasure of playing.


Features: The features of the Gibson Les Paul Vintage Mahogany are varied and interesting. This particular Les Paul is a marriage of basic simplicity and killer electronics. The fretboard is very nice, the tuners are the (to me, essential) traditional green-tulip tuners. The body has no binding, and the top wood has the same feel and color of the back and neck.

This particular Les Paul may be a lower-priced Gibson, but it comes with a real, deluxe Gibson hardshell case. This is unusual, considering the fact that some of the other "worn-finished", less-expensive models only come with a gig bag (such as the Vee and the SG).

By far, one of the greatest values in the Vintage Les Paul Mahogany is its pickups. It comes with Burstbucker Pro humbucking pickups. I don't know how different the wiring is (as opposed to the Standard, Classic, or Studio), but the sound is absolutely awesome. The Burstbucker Pros, combined with the case, make this guitar feature rich – even though it isn’t a fancy Les Paul.


Sound: Sound, sound, sound, sound, and sound. WOW. Pick up an old or vintage Les Paul, close your eyes – pop it through some Marshalls or even a deluxe Twin Reverb, dial up the amp, and let loose. Now do the same with one of the Vintage Mahogany Les Pauls. Listen... No matter if you can scream like Vai, cry and wail like Lang, or rip the souls of the audience into happy little pieces like Gilmour, or just play like a regular Jane or Joe, this instrument does not dissapoint. It takes that vintage-ness of the old PAFs, adds more output, and makes the dynamic range of the sound more (a good thing) complex and rich.

I’ve played several of these through a very wide variety of amplifiers, including nice Class-A Mesas, wide-rich VOXs, chunky Marshall stacks, cheap starter combos, Fenders, and some Kranks and Line 6s… this horse can not only trot, canter, or gallop – it is a true thoroughbred: it brings crunchy, singing, sustaining sound to any style, amp, pedal, or volume.
Sound, sound, sound, sound.


Value: Based on its sound, its case, its Burstbucker Pros, and its made-in-USA pedigree, this is absolutely worth much more than its street price. I’d put it at around $1k any day. The fact that you can buy it for much less makes it a 12-out-of-10 value any day of the week. If you've been thinking of going Gibson, or if you’re looking for that sweet, in-your-face rock. This guitar is a "jump on it now" opportunity. If you like warm, jazzy, neck-pickup sound that reminds you a little of B.B. King's ES-combined with some of that Jimmy Page roots-blues-rock, this is the one for you. You won’t be sorry for getting one of these. Go to your favorite get-in-trouble guitar store and play an example or two. If you don't have a git-box store nearby, check out your favorite online haunt and pick one up NOW.


Wishes: An optional 60's neck would be fabulous (well, for me, anyway - sorry 50's fans).

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